It Began with the Bruckner: Musician Project
BY STEPHANIE ESLAKE Daniel Dean, Max McBride, and Sam Torrens wanted to play Bruckner’s Fifth Symphony so badly that they started a 75-piece orchestra […]
2015
Multi-cultural flute solos from the 21st Century
BY ANGUS MCPHERSON CD Review Vāyu: Multi-cultural flute solos from the twenty-first century Nina Assimakopoulos, flute Label: AMP Recordings A slow glissando creeps […]
CutCommon features in Warp Magazine
The folks at Warp Magazine have featured a story on our digital music store launch in their November print edition. The story comes fresh […]
Live Review: Painting Music
BY ANTONIA ZAPPIA ‘Painting Music’ Petrichor Sax Glebe Justice Centre, October 31 Let me start this review with a gripe – I have […]
Cameron Carpenter and the International Touring Organ
BY STEPHANIE ESLAKE According to Cameron Carpenter, the organ is an “instrument of stereotype, eccentricity, and obscurity”. The American composer and musician leaves all […]
Giving Voice – Eternal Mystery
BY LUCY RASH Soprano Justine Anderson is a 2015 Fellow at the Australian National Academy of Music. Her second project for the year ‘Giving […]
Jeremy Rose Quartet’s ‘Sand Lines’
BY SAMUEL COTTELL CD Review ‘Sand Lines’ Jeremy Rose Quartet Earshift Music, 2015 This latest release from saxophonist and composer Jeremy Rose contains […]
The All-Leunig Song Almanac
BY STEPHANIE ESLAKE Michael Leunig. You know, the cartoon artist and comically philosophical poet? Yeah, that Leunig. His work is at the basis of […]
Arcko live in concert
BY MADELINE ROYCROFT ‘From Sorrowing Earth: A Symphonic Celebration of Australian Composer Nigel Butterley’s 80th Birthday’ Arcko Symphonic Ensemble with pianist Zubin Kanga Iwaki […]
Cyrus Meurant on hearing his works live for the first time
BY STEPHANIE ESLAKE Ever wondered what goes through the minds of composers when they hear their own work premiered? We do. So we asked […]