How to invoice like a pro
BY SUSAN DE WEGER Why is it so uncomfortable for freelance classical musicians to talk about money? Freelancers in other industries, particularly tradesmen, manage […]
BY SUSAN DE WEGER Why is it so uncomfortable for freelance classical musicians to talk about money? Freelancers in other industries, particularly tradesmen, manage […]
Are you ready to hear classical music in Australia like you’ve never heard it before? CutCommon is ready to bring it to you. We are […]
BY KATIA BEAUGEAIS Under the direction of Dr John Lynch, The Sydney Conservatorium Wind Symphony will perform the world premiere of Katia Beaugeais’ First […]
BY CAMPBELL BANKS The eyes gave him away. They’re hidden on the back wall of the hall, in amongst the cartographic wood panelling of […]
Violinist Benjamin Beilman and pianist Andrew Tyson make their first tour of Australia from 3 to 25 October 2016 for Musica Viva. The program showcases […]
BY STEPHANIE ESLAKE [AND BEETHOVEN] Be cheerful – remain my true, my only treasure, my all as I am yours. Pretty romantic, right? Beethoven […]
BY STEPHANIE ESLAKE What composition throughout history do you feel has represented women wildly, absurdly, accurately, or powerfully? We pose the question to two […]
Welcome to Con Fuoco, CutCommon’s interview series with young musicians across Australia. You may have seen Angus McPherson’s byline around here at CutCommon. But […]
BY ANGUS MCPHERSON The Cabinet of Oddities is a show combining fiction, flutes and fantasy. Premiered at the speculative fiction convention Conflux (which happened to […]
BY STEPHANIE ESLAKE Bach! Tasmanian Symphony Orchestra with Richard Tognetti (conductor, director and violin) and Satu Vanska (violin) Federation Concert Hall, 2 September […]
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