Top tips for TV composition with Downton Abbey’s John Lunn
BY STEPHANIE ESLAKE Ever wondered how to compose for television? Downton Abbey‘s John Lunn has some solid advice to share. John was about 20 years […]
2016
Con Fuoco: Magdalenna Krstevska
BY LEAH BLANKENDAAL Welcome to Con Fuoco – CutCommon’s interview series with emerging musicians across Australia. Magdalenna Krstevska has been playing the clarinet […]
Live review: Omega performs Herrmann
BY SAMUEL COTTELL ‘Psycho: The Music of Bernard Herrmann’ Omega Ensemble Utzon Room, Sydney Opera House, 28 February The music of Bernard Herrmann is […]
Jeremy Kleeman talks first major role with VO
BY STEPHANIE ESLAKE We’re midway through the world premiere season of ‘Voyage to the Moon’, the chamber opera co-presented by Musica Viva and Victorian […]
The Value of Volunteering
BY SASCHA KELLY You want to start making your own concerts happen. You might want to get a head start in arts administration. We […]
NPCO collaborates with emerging fashion designer
BY STEPHANIE ESLAKE From Chanel to Lady Gaga, artists have long seen the beauty in combining fashion with music. The tradition continues as Melbourne […]
Beethoven & the 21st Century
BY KIERAN WELCH Beethoven & the 21st Century Australian Chamber Orchestra QPAC, 15 February Kicking off the Australian Chamber Orchestra’s 2016 season, ‘Beethoven […]
Live Review: Luisa Miller
BY ANGUS MCPHERSON Luisa Miller by Verdi Opera Australia Sydney Opera House, 11 February A happy domestic scene frozen in white marble depicts a […]
Live Review: Voyage to the Moon
BY LUCY RASH Voyage to the Moon Victorian Opera, Musica Viva Melbourne Recital Hall, 15 February Eighteenth-century Baroque opera is intriguing for many […]
XL Arts’ Dido and Aeneas
BY LEAH BLANKENDAAL ‘Dido & Aeneas’ by Purcell XL Arts Inc. St Stephens Anglican Church, 5 February Purcell’s ‘Dido and Aeneas’ was the […]