(Literally) Live Reviews // Celine goes to the QSO
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
May 2018
Album review // the in-between
BY KIERAN WELCH the in-between Sideband Collective Self-released, December 2017 The second full album from Sydney composer-performer collective Sideband, the in-between, is aptly […]
WTF?! Why undertake a residency?
BY STEPHANIE ESLAKE Welcome to our new series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to […]
The young artists of chamber music: Grace Clifford, violin
BY LAURA BIEMMI Grace Clifford is one wildly impressive 19 year old. Currently in her fourth year at the Curtis Institute of Music, Grace […]
Live review // A Tasmanian Requiem
BY JOEL ROBERTS A Tasmanian Requiem Gap in the Fence Music by Helen Thomson Written by Greg Lehman, Frances Butler, and Jim Everett-puralia meenamatta […]
Emily Sheppard: Musical wanderlust and creative risk
BY ZOE DOUGLAS-KINGHORN From mountain dells to urban stormwater tunnels, limestone caves, and street corners, you never know where Emily Sheppard will make her […]