LIVE REVIEW // Bridget gets Mad for Love
BY BRIDGET O’BRIEN Mad for Love Sumi Jo and José Carbó with Guy Noble QPAC, 21 July The decadence was guaranteed the minute I […]
August 2018
FINALISTS ANNOUNCED! National Youth Concerto Competition
BY CUTCOMMON We love to see young musicians smashing their goals. Don’t you? That’s why we’re excited to announce the names of the three […]
Regeneration and empowerment: Olivia Swift and Josie Gibson
BY MARK BOSCH Although Sydney Chamber Choir and Synergy Percussion’s joint concert Dance Chant is billed as a tribute to Ross Edwards at age […]
Chloe Sinclair is “one of Australia’s most notable” new composers
BY STEPHANIE ESLAKE The National Capital Orchestra describes Chloe Sinclair as “one of Australia’s most notable up-and-coming young composers”. But we think Chloe is […]
Women on the podium | Laura Barton
BY ZOE DOUGLAS-KINGHORN, LEAD WRITER Gender equality. What does it look like in the orchestra? Blind auditions and gender-neutral concert blacks may bring balance […]
A chat with Australian composer Ross Edwards
BY MARK BOSCH I always hesitate to call a composer — or any artist and their work — “unique”, “singular”, “solitary”. Nothing exists in […]
Andrée Greenwell is raising awareness of gendered violence
BY LILY BRYANT Trigger warning: This story and the embedded audio contains description of gendered violence. We often discuss music in terms of its […]
LIVE REVIEW // Celine experiences Apollo e Dafne
BY CELINE CHONG Apollo e Dafne Brisbance City Opera Sue Banner Theatre, Metro Arts, 19 July In its second season for the year, […]