LIVE REVIEW // Mark sees Blind Trust (sort of)
BY MARK BOSCH Blind Trust Sydney Art Quartet with Erin Helyard (harpsichord and pianoforte) The Yellow House, 10 October The Yellow House interior […]
BY MARK BOSCH Blind Trust Sydney Art Quartet with Erin Helyard (harpsichord and pianoforte) The Yellow House, 10 October The Yellow House interior […]
BY STEPHANIE ESLAKE Every few seconds, all day and night, sonic blasts are fired into the waters. The idea is to explore the area […]
BY STEPHANIE ESLAKE One might suggest that the world itself should take a leaf from Silkroad Ensemble’s book. The group brings together a collection […]
Scored is Melbourne musician Kiya van der Linden-Kian’s fresh new podcast, which confronts the “cavernous fear” experienced by those leaving the academic world to build a […]
Welcome to Con Fuoco, our series with emerging artists in Australia. Jessica Taylor is an Australian soprano studying a Graduate Diploma in Music at […]
BY SIX-FOUR, AS TOLD TO STEPHANIE ESLAKE When I first heard about six-four’s upcoming gig, I was like: This is seriously awesome. The art music-loving sextet […]
BY CELINE CHONG, LEAD WRITER (QLD) With a string of major prizes to his name, it’s no surprise that Vietnamese-born Australian pianist Hoang Pham […]
BY MARK BOSCH One of the stranger protests I’ve been to – Tuesday night’s “counter-projection event” at the Sydney Opera House – felt nevertheless appropriate […]
BY LILY BRYANT In 2014, I auditioned at the Australian National University School of Music for its prestigious H Course. Each week, my peers […]
BY WENDY ZHANG Tchaikovsky Cello Favourites Sydney Symphony Orchestra with Vladimir Ashkenazy (conductor) and Gautier Capucon (cello) Sydney Opera House, 28 September I […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.