WTF?! Why do we call everything “classical”?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
BY SYLVIE WOODS Disney in Concert: Mary Poppins (world premiere) Sydney Symphony Orchestra 14 September, Sydney Opera House Following the success of such well-loved films […]
BY EMMA SULLIVAN The Capulets and the Montagues Victorian Opera and Tasmanian Symphony Orchestra Hamer Hall, 14 September What’d you miss? Two powerhouses arts […]
BY BRIDGET O’BRIEN Peter Grimes Opera Queensland with Rory Macdonald (conductor), Stuart Skelton (heldentenor), and special guests Brisbane Festival QPAC, 22 September What’d you […]
BY MIRANDA ILCHEF Ashkenazy’s Romeo and Juliet Sydney Symphony Orchestra with Vladimir Ashkenazy (conductor) and Arabella Steinbacher (violin) Sydney Opera House, 22 September What’d […]
BY JESSIE WANG Music & Memory This Sounds Like Science (ongoing series) Presented as part of National Science Week with Inspiring Australia and Sydney Science Festival City […]
BY STEPHANIE ESLAKE Have you heard of pointillism? It’s the awe-inspiring technique with which painters create large works based on thousands, perhaps millions, of tiny dots […]
BY ALEX POZNIAK AS TOLD TO STEPHANIE ESLAKE This month, we introduce you to the three Australian composers developing new works with Ensemble Offspring […]
BY ALISON PARIS Based on the much-loved children’s poem by Edward Lear, The Owl and the Pussycat invites youngsters into the world of opera […]
BY JO ST LEON For the past seven years, Marko Letonja has taken the roles of chief conductor and artistic director with the Tasmanian […]
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