Thomas Green: Finding a sound that is my own
BY THOMAS GREEN Thomas Green is the composer of Turbine – Collusion’s latest chamber ballet. It will premiere at MELT Festival on 23 May. Here, Thomas writes […]
BY THOMAS GREEN Thomas Green is the composer of Turbine – Collusion’s latest chamber ballet. It will premiere at MELT Festival on 23 May. Here, Thomas writes […]
An extraordinary line-up of legendary Australian musicians under the musical direction of Brian Ritchie will perform at HOTA this Saturday for The Spirit of Churaki […]
BY STEPHANIE ESLAKE So you’ve been to see the opera. Maybe you were a concertgoer, taken aback by the majestic staging and tales of […]
BY STEPHANIE ESLAKE Welcome to Con Fuoco, our interview series with emerging artists in Australia. Josephine Stark is a young soprano currently in […]
BY PHILIP POGSON This is a father-son interview. How lovely is that? Since its first performance three years ago, Elysian Fields – Australia’s only […]
Forest Collective, in collaboration with queer artist Addison, present a reflection on technology and emotion. Sparking life and movement, or suffusing inertia, technology increasingly works […]
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
CutCommon is “one of the most dynamic sites” in Australian arts criticism, writes Caroline Baum in an edgy new feature for weekend Sydney Morning Herald publication Spectrum. […]
Louise Dyer and Editions de l’Oiseau-Lyre: The Establishment of a Music Press 18-19 May, University of Melbourne This two-day symposium will cover the Couperin complete edition […]
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