“Do you have perfect pitch?”
BY RACHEL BRUERVILLE “Do you have perfect pitch, or just relative?” I am sometimes asked this question, but before I can get into any […]
BY RACHEL BRUERVILLE “Do you have perfect pitch, or just relative?” I am sometimes asked this question, but before I can get into any […]
BY STEPHANIE ESLAKE Welcome to our new series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to […]
BY STEPHANIE ESLAKE This week, six composers from the Melbourne Conservatorium of Music will have a selection of their works performed to a public […]
BY STEPHANIE ESLAKE As a performer, Ed Ferris dons the title Clarinet Maverick. It may sound pretty playful, but it’s a whole lot deeper […]
BY STEPHANIE ESLAKE AND CHRISTOPHER LEON CutCommon is the only publication to review this premiere Joe Hisaishi performance in Australia. Joe Hisaishi Symphonic […]
BY STEPHANIE ESLAKE Have you ever wondered what life is really like in the orchestra? Welcome to EXPOSED! In 2018, we continue to team up with […]
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
BY KIERAN WELCH the in-between Sideband Collective Self-released, December 2017 The second full album from Sydney composer-performer collective Sideband, the in-between, is aptly […]
BY STEPHANIE ESLAKE Welcome to our new series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to […]
BY LAURA BIEMMI Grace Clifford is one wildly impressive 19 year old. Currently in her fourth year at the Curtis Institute of Music, Grace […]
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