Live review // A Tasmanian Requiem
BY JOEL ROBERTS A Tasmanian Requiem Gap in the Fence Music by Helen Thomson Written by Greg Lehman, Frances Butler, and Jim Everett-puralia meenamatta […]
2018
Emily Sheppard: Musical wanderlust and creative risk
BY ZOE DOUGLAS-KINGHORN From mountain dells to urban stormwater tunnels, limestone caves, and street corners, you never know where Emily Sheppard will make her […]
The best Mother’s Day gift ever
You love Mum? Mum loves music? Buy her a subscription to CutCommon this Mother’s Day. If you do, we’ll shout you one, too. Mother’s […]
Con Fuoco | Molly Collier-O’Boyle, viola
BY STEPHANIE ESLAKE Welcome to Con Fuoco, our interview series with emerging artists in Australia. Molly Collier O’Boyle is the Australian World Orchestra […]
Paul Dean: Deleting music, writing for Trish, and sunny days
BY CELINE CHONG Paul Dean has written a brand new Concerto for Cello and Wind Quintet. It might very well be the first of […]
Live review // Myles goes to Bach Akademie Australia
BY MYLES OAKEY The Sacred Music of J.S Bach Bach Akademie Australia St Francis of Assisi’s Catholic Church, Sydney, 21 April Confession: I’m […]
Live review // Chloe sees Xani and Vaudrey
BY CHLOE SANGER Songs and Strings Xani Kolac and Richard Vaudrey Melbourne Recital Centre, 7 April Xani Kolac and Richard Vaudrey teamed up […]
The musical theatre that questions your digital identity
BY STEPHANIE ESLAKE Another night at home, another night in front of their screens. Troy and Emma are on opposite sides of the city, […]
(Literally) Live Reviews // Elsabeth goes to ASO
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
Kathryn Selby interviews Timo-Veikko Valve
BY KATHRYN SELBY Timo-Veikko ‘Tipi’ Valve is a versatile musician performing as a soloist, chamber musician, and orchestral leader on both modern and period instruments. Tipi […]