How I discovered the Alexander Technique (and why you should, too)
BY CHLOE CHUNG AS TOLD TO JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) We recently published an interview with Alexander Technique teacher-trainee Chloe Chung, […]
BY CHLOE CHUNG AS TOLD TO JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) We recently published an interview with Alexander Technique teacher-trainee Chloe Chung, […]
BY MYLES OAKEY, EUROPE CORRESPONDENT Systems_TheoryEnsemble Thing, Emily De Simone (cello)Centre for Contemporary Arts, Glasgow, 30 June The cello, in its brooding tonal richness and […]
BY SYLVIE WOODS, LEAD WRITER (NSW) Nick Galvin and Nathaneal Cooper (Sydney Morning Herald) have this week revived the topic of problematic narratives and representation […]
BY STEPHANIE ESLAKE Trigger warning and reader guide: This review contains coverage of discussion about discrimination and violence against women, and child abuse in the […]
BY CHRISTOPHER LEON, GLOBAL SERIES EDITOR My Heart Swims in BloodVan Diemen’s Band with Lotte Betts-Dean (mezzo-soprano)Dark MofoHobart Town Hall, 22 June Hidden within the […]
BY CHRISTOPHER LEON, GLOBAL SERIES EDITOR Mary Lattimore + Julianna Barwick Dark MofoOdeon Theatre, 23 June What does an electric harp with loop pedals and sound […]
BY CHRISTOPHER LEON, GLOBAL SERIES EDITOR Jónsi + Alex / Riceboy Sleeps Tasmanian Symphony OrchestraDark MofoFederation Concert Hall, 15 June Jónsi Birgisson, frontman of Icelandic ambient group Sigur Rós, and his partner […]
INTRODUCTION BY CUTCOMMON/ RESEARCH CONTENT COURTESY OF THE VICTORIAN MUSIC DEVELOPMENT OFFICE How much do you really know about the way Australian listeners engage with […]
BY LEWIS INGHAM On June 28, Parma Recordings and Navona Records released an album from the Australia Piano Quartet, featuring the two piano quartets of […]
BY STEPHANIE ESLAKE There has been a lot of discussion about gender diversity in the music industry in recent years. But what we haven’t heard […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.