BY STEPHANIE ESLAKE Feeling “ecstatic” would be a pretty reasonable response to the idea of a three-day arts festival celebrating contemporary performance, right? The Supersense […]
BY STEPHANIE ESLAKE According to Aidan Filshie, “recording sucks”. Capturing your performance to perfection, on video, in a single take, is going to be tough […]
CURATED BY ELOISE WRIGHT (AUSTRALIAN YOUTH ORCHESTRA) FOR CUTCOMMON This year, the Australian Youth Orchestra toured The Netherlands, France, Germany, and China, before returning for […]
BY STEPHANIE ESLAKE Should you stay in Australia to build your music career, or travel overseas in search of bigger things? What even are those bigger things? […]
BY WENDY ZHANG This July, I had the opportunity to attend the Australasian Piano Pedagogy Conference for the first time. I registered for this mainly […]
CONTENT COURTESY 2019 ART MUSIC AWARDS Winners have been announced across 11 national categories and eight state categories of the 2019 Art Music Awards at […]
BY SYLVIE WOODS, LEAD WRITER (NSW) Tchaikovsky’s The Nutcracker may be one of the world’s best-loved ballets. But in 2019, derogatory racial stereotyping, and use […]
BY JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) We all know that kids in regional Australia do not have access to the same musical […]
BY TRACY FRIEDLANDER Tracy Friedlander is the founder of Crushing Classical. We’d like to welcome her to CutCommon as she shares her industry advice column […]
BY STEPHANIE ESLAKE Music education matters. Whether you first picked up an instrument at school, you’re working full-time in an orchestra, or you’re just entering […]
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