Mastering your practice #3: Miranda interviews Francesco Lo Surdo
BY MIRANDA ILCHEF, LEAD WRITER (NSW) This is the third interview in Miranda’s exclusive new CutCommon series Mastering your practice. Please note that these stories may include […]
BY MIRANDA ILCHEF, LEAD WRITER (NSW) This is the third interview in Miranda’s exclusive new CutCommon series Mastering your practice. Please note that these stories may include […]
BY JENNY ERIKSSON, FOUNDER OF ELYSIAN FIELDS My Swedish grandfather, a working-class merchant seaman from Stockholm, stepped off a ship in Melbourne in the 1920s. […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
BY STEPHANIE ESLAKE Since the pandemic first hit our industry, the Melbourne Digital Concert Hall has offered something of a safe-haven to arts practitioners in […]
CONTENT COURTESY AUSTRALIAN ROMANTIC & CLASSICAL ORCHESTRA Join the Australian Romantic & Classical Orchestra for their live-streamed concert in the Melbourne Digital Concert Hall on […]
BY CUTCOMMON Five emerging composers have been awarded a place in the Arts Centre Melbourne’s 5x5x5: Memory mentorship program. It’s a paid commission opportunity for […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN As composer of the hit TV series The Killing, Frans Bak is considered a pioneer of “Nordic noir”. […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY LAURA BIEMMI, TRENDS EDITOR After many long weeks of isolation, Laura is ready to get out of the house and connect with other music […]
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