Passing the mic // An interview with composer Gabrielle Cadenhead
BY LILY BRYANT, SERIES CURATOR Welcome to a brand new year of amazing Australian artists, and a brand new year of Passing the Mic. I […]
BY LILY BRYANT, SERIES CURATOR Welcome to a brand new year of amazing Australian artists, and a brand new year of Passing the Mic. I […]
BY LILY BRYANT, SERIES CURATOR Welcome back to our second instalment of Passing the Mic, a series centring the art of Australian female, non-binary, and […]
BY LILY BRYANT, SERIES CURATOR Just so you know, this story includes music that confronts violence against women. If you or anyone you know needs […]
BY JO ST LEON “In a pandemic, self-isolation is called quarantine. In Buddhism, it is called retreat. From the cave of our homes, like the […]
BY CUTCOMMON Australian conductor Leonard Weiss has been making waves overseas, from his recent Churchill Fellowship achievement to his roles as the Baltimore Symphony Orchestra’s […]
BY ISOBEL ARCHER Our team gives a warm welcome to Isobel in her first review as a CutCommon contributor! Still Life with AvalancheEnsemble OffspringUtzon Room, […]
BY PROFESSOR CAT HOPE, SIR ZELMAN COWEN SCHOOL OF MUSIC AND PERFORMANCE, MONASH UNIVERSITY Susan Frykberg was an electronic music composer and sound artist whose […]
BY STEPHANIE ESLAKE We’ve all had those dud years (2020, anyone?). But we’re not all posh enough to call one an “annus horribilis”. The late […]
BY STEPHANIE ESLAKE Is music your calling? If the answer is ‘yes’, how much are you willing to sacrifice or tolerate in order to pursue […]
BY STEPHANIE ESLAKE Those of us who work in the music industry keep doing our best. But unfortunately, that best keeps getting disrupted by external […]
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