Eisteddfods: The Best and the Blurst
BY LUCY RASH eisteddfod (aɪˈstɛdfəd; Welsh aɪˈstɛðvɔd) n, pl -fods or -fodau (Welsh aɪˌstɛðˈvɒdaɪ) 1. any of a number of annual festivals in Wales, […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY LUCY RASH eisteddfod (aɪˈstɛdfəd; Welsh aɪˈstɛðvɔd) n, pl -fods or -fodau (Welsh aɪˌstɛðˈvɒdaɪ) 1. any of a number of annual festivals in Wales, […]
BY STEPHANIE ESLAKE Antonio Salieri has had his fair share of bad press over the last couple of centuries. Painted as a second-rate composer […]
BY MEGAN BURSLEM Practice. The word makes me shudder. I will be upfront with you. I don’t like practising. Not one iota. […]
BY STEPHANIE ESLAKE Greek-Australian bassist Nick Tsiavos is fascinated with the past. And by past, I don’t mean a few decades ago. I mean […]
BY SAM GILLIES Cat Hope is a composer, curator and performer, heavily involved with Australian new music. She is the founder of the Decibel […]
BY GABRIELLE RUTTICO If you believe that fairy-tales are for little kids and Disney fans, OperaBox and Love Opera’s Hänsel and Gretel is about […]
BY STEPHANIE ESLAKE Ralph Vaughan Williams (1872-1958) is one of England’s most highly celebrated composers, known for his stunningly tranquil choral music and gorgeous […]
BY STEPHANIE ESLAKE Hailed one of the most influential scenographers of the 20th Century, Czech set designer Josef Svoboda’s work is seen in Australia […]
BY SAM GILLIES AND ANDREW MESSENGER The anger and gnashing of teeth that has followed our new Prime Minister’s inevitably brutal budget has left […]
BY STEPHANIE ESLAKE The young singers of Perth’s Giovanni Consort will return to the Renaissance this May in their first concert of the year, […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.