Paul Ballam-Cross has arranged a bunch of classical guitar studies for electric bass
BY STEPHANIE ESLAKE Studies aren’t just for practising your technique, or so Paul Ballam-Cross’ new EP shows us. Enjoyable for the sake of listening, and […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE Studies aren’t just for practising your technique, or so Paul Ballam-Cross’ new EP shows us. Enjoyable for the sake of listening, and […]
BY STEPHANIE ESLAKE This month, Dreambox Collective is hoping to start a conversation that will boost Australia’s understanding of the needs of LGBTQIA+ communities. Beyond […]
BY STEPHANIE ESLAKE How has your relationship to the environment changed over the course of your life? It’s a question the curators of BackStage Music […]
BY STEPHANIE ESLAKE Is conducting a science? If you tuned into the ABC News Breakfast segment featuring Melbourne conductor Ingrid Martin, you’d be inclined to […]
BY STEPHANIE ESLAKE Melbourne violist Katie Yap has won The Music Trust’s 2022 Freedman Classical Fellowship. The competitive event offers musicians aged 35 and under […]
BY STEPHANIE ESLAKE There’s a lot to weigh up when deciding which live events you’d like to see. Are you interested in the music on […]
BY STEPHANIE ESLAKE Melbourne Recital Centre describes its upcoming event with Phonetic Orchestra as “an audio-visual journey through spaces physical, digital and imagined”. On this […]
BY STEPHANIE ESLAKE Australian composers can now access a locally produced workshop series that will teach them how to write music for didgeridoo. The Art […]
BY STEPHANIE ESLAKE We all have that one piece of music we just click with. The piece we return to throughout our lives, playing or […]
BY STEPHANIE ESLAKE Z.E.N. Trio is an international ensemble in the truest sense of the term: its pianist Zhang Zuo (Zee Zee) is based in […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.