Unfamiliar music “can provide a window into how others think”
BY CUTCOMMON In 2022, Reuben Johnson heard his Australian National Academy of Music colleagues perform Messiaen’s Quartet for the End of Time. So engrossing was […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY CUTCOMMON In 2022, Reuben Johnson heard his Australian National Academy of Music colleagues perform Messiaen’s Quartet for the End of Time. So engrossing was […]
BY STEPHANIE ESLAKE Eliza Shephard has long been concerned with a lack of representation in the Australian music industry. She wanted to see more works […]
BY LILY BRYANT Amidst the seemingly never-ending discussion about the inaccessibility of classical music, a quiet hero has emerged: contemporary-classical piano. A genre perfectly suited […]
BY MIRANDA ILCHEF Nicholas Bochner has always found his spark by getting involved in “musical projects that get us closer to the audience – those […]
BY MIRANDA ILCHEF Orchestral percussionist to classroom teacher to professional conductor isn’t a typical career trajectory — but it’s a path Jen Winley found herself […]
BY STEPHANIE ESLAKE Many artists will seek support for their creative projects. But rarely will you find an opportunity based around the concept of class. […]
BY STEPHANIE ESLAKE Halfway into my music degree, I had an accident. I’d been studying classical saxophone, the passion of my life since I was […]
BY CUTCOMMON Australian conductor Leonard Weiss has been making waves overseas, from his recent Churchill Fellowship achievement to his roles as the Baltimore Symphony Orchestra’s […]
BY CUTCOMMON Sophie Hutchings was born on the same street as her concert venue. It’s a charming way to connect to the theme of her […]
BY STEPHANIE ESLAKE It’s safe to say that most makers and listeners of Australian art music will have heard of Cameron Lam. They’re curator of […]
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