Mastering your practice #3: Miranda interviews Francesco Lo Surdo
BY MIRANDA ILCHEF, LEAD WRITER (NSW) This is the third interview in Miranda’s exclusive new CutCommon series Mastering your practice. Please note that these stories may include […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY MIRANDA ILCHEF, LEAD WRITER (NSW) This is the third interview in Miranda’s exclusive new CutCommon series Mastering your practice. Please note that these stories may include […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
BY STEPHANIE ESLAKE Since the pandemic first hit our industry, the Melbourne Digital Concert Hall has offered something of a safe-haven to arts practitioners in […]
BY CUTCOMMON Five emerging composers have been awarded a place in the Arts Centre Melbourne’s 5x5x5: Memory mentorship program. It’s a paid commission opportunity for […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN As composer of the hit TV series The Killing, Frans Bak is considered a pioneer of “Nordic noir”. […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY ANGELO VALDIVIA FOR LEVEL AND GAIN There aren’t many composers who fluidly work between video games and Hollywood, but Penka Kouneva has firmly entrenched herself among […]
BY STEPHANIE ESLAKE In the past three years, composer Alice Humphries has produced new music with fascinating artists, moved from Melbourne to make a new […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
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