Make your move: Lotte Betts-Dean, London
BY ELEANOR WOOD, SERIES COORDINATOR Moving to another country as an artist is a bit like performance itself: exciting, terrifying, exhausting, and hopefully beautiful. As […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY ELEANOR WOOD, SERIES COORDINATOR Moving to another country as an artist is a bit like performance itself: exciting, terrifying, exhausting, and hopefully beautiful. As […]
BY STEPHANIE ESLAKE Karin Schaupp hasn’t performed for a while. The classical guitarist has been forced to abandon her 2020 plans. This has meant bidding […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN Unorthodox is one of the boldest character tales in recent Netflix history. Inspired by Deborah Feldman’s 2012 autobiography, […]
BY STEPHANIE ESLAKE The last time the Sydney Eisteddfod cancelled its festival was during World War II. Now, in the face of a global pandemic, […]
BY MIRANDA ILCHEF, LEAD WRITER (NSW) This is the third interview in Miranda’s exclusive new CutCommon series Mastering your practice. Please note that these stories may include […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
BY STEPHANIE ESLAKE Since the pandemic first hit our industry, the Melbourne Digital Concert Hall has offered something of a safe-haven to arts practitioners in […]
BY CUTCOMMON Five emerging composers have been awarded a place in the Arts Centre Melbourne’s 5x5x5: Memory mentorship program. It’s a paid commission opportunity for […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN As composer of the hit TV series The Killing, Frans Bak is considered a pioneer of “Nordic noir”. […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.