“In my idealistic world, we could do without the idea of genre”
BY STEPHANIE ESLAKE At the Sydney Opera House, there’s a series of events called Utzon Music. And its striking program is curated to bring the […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE At the Sydney Opera House, there’s a series of events called Utzon Music. And its striking program is curated to bring the […]
BY STEPHANIE ESLAKE It’s been close to two years since Oliver She took out his win at the last Australian National Piano Award in Shepparton. […]
BY LAURA BIEMMI, TRENDS EDITOR Since 1991, musicians and audiences from all corners of the country have trekked to Bermagui in New South Wales to […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN The Lost Prince is a film for anyone who has ever been a parent or a child. The French […]
BY LAURA BIEMMI, TRENDS EDITOR The Melbourne Symphony Orchestra’s Ears Wide Open series is a concert experience like no other, guiding audiences through illuminating deconstructions […]
BY STEPHANIE ESLAKE Hansel and Gretel is that creepy fairytale about the children who venture deep into the forest, and are drawn to a disturbed […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN For Alex Baranowski, The Windermere Children wasn’t an ordinary scoring project. Though the BBC/Wall to Wall production may have presented […]
BY STEPHANIE ESLAKE For flautist Joshua Batty, one of the most distressing impacts of this summer’s bushfire season has been “the feeling of mutual helplessness”. […]
BY JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) What does Valentine’s Day mean to you? Whether you’re sharing it with your significant other, your […]
BY STEPHANIE ESLAKE In this new interview series, we place two musicians side by side to answer questions about their careers and performances — but […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.