Stuart Thomson: “Putting yourself out there is the hardest thing”
BY JO ST LEON One of the highlights of attending a Tasmanian Symphony Orchestra concert for me is watching its principal double bass player Stuart […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY JO ST LEON One of the highlights of attending a Tasmanian Symphony Orchestra concert for me is watching its principal double bass player Stuart […]
BY JASMINE MIDDLETON AND STEPHANIE ESLAKE If you could design any concert program, what music would you include? How about “the half-modern music that is […]
BY ALEXANDRA MATHEW Many artists will be content with cultivating and successfully maintaining just one career in their lifetime. Not so for Elizabeth Hill-Cooper — […]
BY STEPHANIE ESLAKE Musicians, how would you feel if you could feel your audiences eyes on you — so closely that you could watch their […]
BY STEPHANIE ESLAKE If you could stand music still in time, what would it look like? For some the answer would be “architecture”. Patrick Kennedy […]
BY LAURA BIEMMI, TRENDS EDITOR It’s common practice for a major Australian orchestra to invite world-renowned soloists to dazzle local audiences with their interpretations of […]
BY JASMINE MIDDLETON Content warning: This story contains discussion about Indigenous youth suicide. For help, call Lifeline on 131114. Concert for Life is so much […]
BY STEPHANIE ESLAKE The Queensland Conservatorium Griffith University is about to perform a 21st-Century version of Mozart’s comic opera La Finta Giardiniera (The Fake Gardener) […]
BY MIRANDA ILCHEF Last month, we had a chat with composer Luke Howard about the very first ZoneOut International Music Festival. As the festival ambassador, […]
BY LEWIS INGHAM Erik Griswold’s latest release Hollows Out of Time is an album unafraid of stylistic and sonic possibilities. The intriguing combination of prepared […]
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