How should we understand Clara Schumann, 200 years on?
BY MARK BOSCH, LEAD CRITIC On September 13 this year, Clara Schumann is turning 200. A day later (which, conveniently, is a Saturday), a bunch […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY MARK BOSCH, LEAD CRITIC On September 13 this year, Clara Schumann is turning 200. A day later (which, conveniently, is a Saturday), a bunch […]
BY CHANTAL NGUYEN We would like to welcome Chantal Nguyen in her first story as a CutCommon contributor! I’m old school friends with Holly Harrison, […]
BY STEPHANIE ESLAKE I was flabbergasted — yes, flabbergasted — when Margaret Leng Tan told me she’s never headlined a show before. After all, The […]
BY STEPHANIE ESLAKE Did you catch our interview with Aidan Filshie of the Kalon Quartet? Aidan talked us through the experience of being selected to […]
BY STEPHANIE ESLAKE A music degree can be an intense – and intensely rewarding – life experience. It doesn’t matter how old we are, or […]
BY STEPHANIE ESLAKE Feeling “ecstatic” would be a pretty reasonable response to the idea of a three-day arts festival celebrating contemporary performance, right? The Supersense […]
BY STEPHANIE ESLAKE According to Aidan Filshie, “recording sucks”. Capturing your performance to perfection, on video, in a single take, is going to be tough […]
BY STEPHANIE ESLAKE Should you stay in Australia to build your music career, or travel overseas in search of bigger things? What even are those bigger things? […]
BY SYLVIE WOODS, LEAD WRITER (NSW) Tchaikovsky’s The Nutcracker may be one of the world’s best-loved ballets. But in 2019, derogatory racial stereotyping, and use […]
BY JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) We all know that kids in regional Australia do not have access to the same musical […]
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