First-time curators Sophie and Liam program 11 Australian compositions in Vivid
BY STEPHANIE ESLAKE If you were curating a music festival for the first time, what would you choose to include on your program? Emerging composer-performers […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE If you were curating a music festival for the first time, what would you choose to include on your program? Emerging composer-performers […]
BY ALISON PARIS, LEAD WRITER (CHILDREN AND EARLY LEARNING) The life of a student is a busy one: alongside school, homework, and chores, kids’ schedules […]
BY STEPHANIE ESLAKE When Tim Munro performs this June, he’ll do so with few comforts: there will be no score, no physical guidance for performers, […]
BY STEPHANIE ESLAKE Think you have to graduate before you can gain industry experience? Jacqueline Collyer would disagree. This emerging Tasmanian composer has teamed up […]
BY STEPHANIE ESLAKE (EDITOR) WITH LAURA BIEMMI (TRENDS EDITOR) David ‘Twiggy’ Reichelt reckons the wind quintet can be a “formidable” concoction of instruments for any composer. […]
BY STEPHANIE ESLAKE, EDITOR It mightn’t come as a surprise to you that many of the familiar faces on the CutCommon team are also forging […]
BY JASMINE MIDDLETON What do you do if there are no opportunities that fit your musical niche? Well, if you’re Laura Masotto, you simply create […]
BY JASMINE MIDDLETON We last spoke to Samuel Parry about the Western Australian Charity Orchestra in our first print edition. Now, with the second edition […]
BY JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) If you’re in the music industry, chances are you’ve heard of the Alexander Technique. In recent […]
BY JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) The Braille music code was invented to empower musicians with blindness or low vision to read […]
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