“The best weeks of orchestral and chamber music playing I have had in my life”
BY STEPHANIE ESLAKE Imagine a place you could spend two weeks making music, making friends, making connections you’ll keep forever. Making the time of your […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE Imagine a place you could spend two weeks making music, making friends, making connections you’ll keep forever. Making the time of your […]
BY CUTCOMMON The inaugural ANAM Set was responsible for the creation of 67 pieces of new Australian music. It was an epic commissioning project — […]
BY CUTCOMMON When composer Ade Vincent and singer-songwriter Lior started their latest commission for the Melbourne Chamber Orchestra, they wrote a list of emotions they […]
BY CUTCOMMON Performing as a soloist is hard. Performing in front of a world-class orchestra is really hard. And being watched and adjudicated while you’re […]
BY CUTCOMMON There’s an old adage in the world of music, and that’s to know the rules before you break them. Composer Damien Ricketson is […]
BY CUTCOMMON Imagine conducting an orchestra that brings together some of the leading talent in all of Australia for a one-night-only performance of Mahler. Sound […]
BY CUTCOMMON If you could plan a festival around the music of one composer, who would you choose? Paavali Jumppanen’s top pick was George Crumb […]
BY STEPHANIE ESLAKE Music is for everyone. Isn’t it? It depends on who you ask. Some might find the cost of a ticket prohibitive. Others […]
BY LILY BRYANT Have you ever considered the way spoken word plays a musical role in a classical piece? Personally, I understood the use of […]
BY STEPHANIE ESLAKE There’s always a fair amount of discussion surrounding the role of screen music in the concert hall. Does it make for a […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.