Regeneration and empowerment: Olivia Swift and Josie Gibson
BY MARK BOSCH Although Sydney Chamber Choir and Synergy Percussion’s joint concert Dance Chant is billed as a tribute to Ross Edwards at age […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY MARK BOSCH Although Sydney Chamber Choir and Synergy Percussion’s joint concert Dance Chant is billed as a tribute to Ross Edwards at age […]
BY STEPHANIE ESLAKE The National Capital Orchestra describes Chloe Sinclair as “one of Australia’s most notable up-and-coming young composers”. But we think Chloe is […]
BY ZOE DOUGLAS-KINGHORN, LEAD WRITER Gender equality. What does it look like in the orchestra? Blind auditions and gender-neutral concert blacks may bring balance […]
BY MARK BOSCH I always hesitate to call a composer — or any artist and their work — “unique”, “singular”, “solitary”. Nothing exists in […]
BY LILY BRYANT Trigger warning: This story and the embedded audio contains description of gendered violence. We often discuss music in terms of its […]
BY STEPHANIE ESLAKE Imagine if you could rock up to the recording studio and just play whatever you like. No sheet music to drag […]
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
BY STEPHANIE ESLAKE At 5 years old, Rose Riebl first learnt the keys of the piano. At 11, she started studying with Australian National […]
BY STEPHANIE ESLAKE When I first heard about the Melbourne International Saxophone Festival, I started nerding out. Having trained for classical saxophone, I marvelled […]
BY CELINE CHONG, LEAD WRITER (QLD) Imagine creating your very own concert series. Sound like something your future self might do? Starting up a […]
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