Ambre Hammond plays for kids who’ve never heard piano
BY JESSIE WANG We would like to welcome Jessie Wang in her first story as a CutCommon contributor. Imagine if you lived on the northern […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY JESSIE WANG We would like to welcome Jessie Wang in her first story as a CutCommon contributor. Imagine if you lived on the northern […]
Welcome to Con Fuoco, our series with emerging artists in Australia. Western Australian Academy of Performing Arts student Jesse Vivante is in his third year […]
BY STEPHANIE ESLAKE The Monash Chamber Music Festival is about learning. It’s about opening your ears to the presentation of this intimate artform. It’s […]
BY LILY BRYANT We would like to welcome Lily in her first story as a CutCommon contributor. For musicians from small towns, the first […]
BY EMMA SULLIVAN The latest offering from the Benaud Trio – The Aussie Album – provides fascinating insight into the diversity and richness of […]
BY MARK BOSCH We would like to welcome Mark in his first story as a CutCommon contributor. I would like to think that the […]
BY STEPHANIE ESLAKE The Modest Orchestra doesn’t care if you’re not studying to complete a performance major. It doesn’t care if you don’t want […]
BY STEPHANIE ESLAKE Content warning: This interview contains discussion of sexual assault and rape. The dominant man. The helpless woman. When it comes to the […]
BY BRIDGET O’BRIEN He has entertained as Verdi’s Rigoletto, meddled as Rossini’s Figaro, and bullied as Mozart’s Count Almaviva. He has lost as Tonio. […]
BY LEAH BLANKENDAAL Content warning: This story contains mention of suicide, and historical violence against Indigenous populations. Beaumont House composer-in-residence Gabriella Smart will present […]
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