The new Canberra Sinfonia is bridging the gap
BY LILY BRYANT We would like to welcome Lily in her first story as a CutCommon contributor. For musicians from small towns, the first […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY LILY BRYANT We would like to welcome Lily in her first story as a CutCommon contributor. For musicians from small towns, the first […]
BY EMMA SULLIVAN The latest offering from the Benaud Trio – The Aussie Album – provides fascinating insight into the diversity and richness of […]
BY MARK BOSCH We would like to welcome Mark in his first story as a CutCommon contributor. I would like to think that the […]
BY STEPHANIE ESLAKE The Modest Orchestra doesn’t care if you’re not studying to complete a performance major. It doesn’t care if you don’t want […]
BY STEPHANIE ESLAKE Content warning: This interview contains discussion of sexual assault and rape. The dominant man. The helpless woman. When it comes to the […]
BY BRIDGET O’BRIEN He has entertained as Verdi’s Rigoletto, meddled as Rossini’s Figaro, and bullied as Mozart’s Count Almaviva. He has lost as Tonio. […]
BY LEAH BLANKENDAAL Content warning: This story contains mention of suicide, and historical violence against Indigenous populations. Beaumont House composer-in-residence Gabriella Smart will present […]
BY MIRANDA ILCHEF We would like to welcome Miranda in her first story as a CutCommon contributor. History is filled with artists who have […]
BY BRIDGET O’BRIEN Musician. Actress. Artist. Storyteller. The apex of all creative pursuits is personified in Jacqueline Dark. (And on top of it all, she’s […]
BY JASMINE MIDDLETON We would like to welcome Jasmine in her first story as a CutCommon contributor. We’re mid-way through 2018, but it’s already […]
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