9 essentials for composers looking to promote their work
BY CAMERON LAM Applying or getting nominated for an award, honour, or prize is one of the more challenging, exciting and — let’s be honest […]
Fresh views on all things classical and new music
BY CAMERON LAM Applying or getting nominated for an award, honour, or prize is one of the more challenging, exciting and — let’s be honest […]
BY TRACY FRIEDLANDER Tracy Friedlander is the founder of Crushing Classical. We’d like to welcome her to CutCommon as she shares her industry advice column […]
BY CAITLIN VINCENT, LECTURER IN CREATIVE INDUSTRIES, UNIVERSITY OF MELBOURNE This article was first published in The Conversation. We’ve picked it up because we reckon […]
COMPILED BY MITCH FRESTA FOR THE QUEENSLAND MUSIC FESTIVAL, INTRO AND EDIT BY CUTCOMMON Some years ago, prolific Australian composer John Rodgers contracted meningitis. It […]
BY CHLOE CHUNG AS TOLD TO JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) We recently published an interview with Alexander Technique teacher-trainee Chloe Chung, […]
BY MYLES OAKEY, EUROPE CORRESPONDENT Disclaimer: Opinions reflect those of the writer and not necessarily the publication. In a persuasive project pitch, the artistic director […]
BY LYLE CHAN When Glenn Dickie arrived in Rotterdam, one of the first things he needed to do was buy a new sandwich toaster. He’d […]
BY RIA ANDRIANI, AS TOLD TO STEPHANIE ESLAKE I was born in Bandung and grew up in Jakarta, Indonesia. My parents encouraged me to learn […]
BY STEPHANIE ESLAKE Disclaimer: This blog provides critical analysis of recent media events surrounding Shuan Hern Lee and the Lang Lang Shenzhen Futian International Piano […]
BY DEBORAH HART Deborah Hart is an orchestral musician and qualified Acceptance and Commitment Therapy practitioner, who uses her knowledge to help musicians experiencing performance […]
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