How to sell yourself (without selling out)
BY SUSAN DE WEGER Building a loyal audience is one of the biggest challenges facing young artists. Most young classical musicians experience four years […]
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Fresh views on all things classical and new music
This lollipop man has released an EPIC organ album
BY ROBERT JAMES STOVE Robert James Stove obtained a High Distinction in his Monash BMus last year, and is the author of César Franck: His Life […]
How to prepare for your next music competition
BY BOYD OWEN, AS TOLD TO STEPHANIE ESLAKE Boyd Owen won first place in the Sydney Eisteddfod Opera Scholarship in 2017. The dual Australian-New Zealand […]
Understanding Berlioz, with mezzo-soprano Sasha Cooke
BY STEPHANIE ESLAKE According to Sasha Cooke, “Berlioz is just unlike anything else”. “The colour, harmony, melody in his music are beautiful, emotional and […]
7 conductors you should know about
BY ZOE DOUGLAS-KINGHORN Meet the women who are breaking new ground in the Australian conducting scene: the first ever female music director of an Aussie orchestra, the […]
You aren’t boring, so why is your bio?
BY SUSAN DE WEGER If you are serious about attracting and retaining a new audience for classical music, then you need to write about yourself […]
The piece I was born to compose
BY SEAN ROSS Winner of the Director’s Choice Award for opera in the 2014 Boston International Contempo Festival, Tchaikovsky, Angel of Music is not […]
Thomas Green: Finding a sound that is my own
BY THOMAS GREEN Thomas Green is the composer of Turbine – Collusion’s latest chamber ballet. It will premiere at MELT Festival on 23 May. Here, Thomas writes […]
Writing music for my newborn son
BY NAT BARTSCH, COMPOSER I’ve always felt that I don’t easily ‘fit’ in the music industry. For starters, I’m a female pianist and composer who […]
“Do you have perfect pitch?”
BY RACHEL BRUERVILLE “Do you have perfect pitch, or just relative?” I am sometimes asked this question, but before I can get into any […]