Why we’re exploring music in all its forms
BY CHLOE HASSON, BLUE STOCKINGS In early 2020, I received a message request from a girl named Alison Paris. She had a vision: she wanted […]
Fresh views on all things classical and new music
BY CHLOE HASSON, BLUE STOCKINGS In early 2020, I received a message request from a girl named Alison Paris. She had a vision: she wanted […]
BY JENNY ERIKSSON, THE MARAIS PROJECT FOUNDER AND ARTISTIC DIRECTOR The idea for The Marais Project’s most recent album Australian Monody was more prosaic. It […]
BY MICHAEL BAKRNČEV In 2017, Melbourne contemporary classical composer Michael Bakrnčev addressed the question, Is it worth becoming a composer in Australia? Half a decade […]
BY LILY BRYANT When studying a classical music degree, you’re inevitably met with the mythology surrounding the “struggling artist” — an image propagated during the […]
BY JUANITA SIMMONDS Thanks to a lifetime of harpsichord concert performance, Huguette Brassine knows the logistics required to put these instruments on the stage. Although […]
BY ANNE CAWRSE Anne Cawrse is an award-winning Australian composer preparing for the launch of her debut album Advice to a Girl. In this CutCommon […]
BY CUTCOMMON It’s a bittersweet year for the annual 3MBS Marathon. We’ll start with the sweet: 2022 marks its 10 year anniversary! For the past […]
BY SHAUNA BEESLEY In this blog, composer Shauna Beesley shares her experience of arranging Robert Schumann’s Fantasiestücke, Op.73. The Australian Romantic & Classical Orchestra (pictured […]
BY CHANTAL NGUYEN It was the final minute of the final movement. “All or nothing, now or never!” I thought. The double stops, the breathless […]
BY RACHEL BRUERVILLE, OPINIONS EDITOR At the end of October 2021, Premier Steven Marshall announced a much-anticipated COVID “roadmap” for South Australia – in our […]
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