Rakhi Singh and Seb Gainsborough on collaboration and musical freedom
BY MYLES OAKEY (EUROPE CORRESPONDENT) Shadowing five onstage performers, a flickering analogue film gestures a bleeding heart, which rests atop a woman’s bare chest. Layered […]
BY MYLES OAKEY (EUROPE CORRESPONDENT) Shadowing five onstage performers, a flickering analogue film gestures a bleeding heart, which rests atop a woman’s bare chest. Layered […]
BY ZOE DOUGLAS-KINGHORN, LEAD WRITER I suspect Andrew Groch may be a time lord. He hasn’t run off to join the circus, but damn, is […]
BY JASMINE MIDDLETON When Adam Tan first picked up a percussion instrument back in high school, he was “an awful student”. “My practice ethic was […]
BY STEPHANIE ESLAKE In her last trimester of pregnancy, Herdís Stefánsdóttir was exhausted. She was having trouble walking. She was feeling emotional. Oh, and she […]
BY LYLE CHAN When Glenn Dickie arrived in Rotterdam, one of the first things he needed to do was buy a new sandwich toaster. He’d […]
BY STEPHANIE ESLAKE Have you ever found yourself completely obsessed with a composer, and felt like you wanted to share their music with people all […]
BY RIA ANDRIANI, AS TOLD TO STEPHANIE ESLAKE I was born in Bandung and grew up in Jakarta, Indonesia. My parents encouraged me to learn […]
BY STEPHANIE ESLAKE If you were curating a music festival for the first time, what would you choose to include on your program? Emerging composer-performers […]
BY STEPHANIE ESLAKE (EDITOR) WITH LAURA BIEMMI (TRENDS EDITOR) David ‘Twiggy’ Reichelt reckons the wind quintet can be a “formidable” concoction of instruments for any composer. […]
BY JASMINE MIDDLETON What do you do if there are no opportunities that fit your musical niche? Well, if you’re Laura Masotto, you simply create […]
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