How do we find authenticity in our performance?
BY GRACE JOHNSON We would like to welcome Grace in her first blog as a CutCommon contributor. “No, no!” my teacher exclaimed. She coaxed my […]
BY GRACE JOHNSON We would like to welcome Grace in her first blog as a CutCommon contributor. “No, no!” my teacher exclaimed. She coaxed my […]
BY ALISON PARIS Opera Queensland is opening its 2019 season with John Adams’ A Flowering Tree – a fantastic tale of a young peasant woman […]
BY MYLES OAKEY, EUROPE CORRESPONDENT On Wednesday nights at Bar Zum Schmutzigen Hobby, Miss Judy Ladivina, draped in glitter and windblown by the glamour of […]
BY STEPHANIE ESLAKE Each year, the Tasmanian Symphony Orchestra invites young musicians to apply to be the next TSO Rising Star. Last year, 13-year-old pianist […]
BY WENDY ZHANG In February this year, I held my first ever students’ piano recital in a local church. I had 17 students performing, and […]
BY JESSIE WANG (COMMUNITY AND SOCIAL AWARENESS) If you’re working in the music industry, chances are you may have studied at a conservatorium. Even if […]
BY STEPHANIE ESLAKE A composer may be familiar with her own musical language. But what happens when you throw a choreographer into the mix, and […]
BY LILY BRYANT In 2018, I performed in a concert held at Queensland Conservatorium Griffith University in celebration of International Women’s Day. The concert’s aim […]
BY STEPHANIE ESLAKE You know Play On, that concert series that pumps classical and electronic music in the Collingwood Underground Car Park? Yeah, we thought […]
BY STEPHANIE ESLAKE Violinist Lizzy Welsh will perform at Castlemaine State Festival this month. She will perform music composed by bad humans. Music and Murder […]
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