“It’s not rare for me to cry while making music”
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
Encountering talent with a world view
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN As composer of the hit TV series The Killing, Frans Bak is considered a pioneer of “Nordic noir”. […]
BY ANGELO VALDIVIA FOR LEVEL AND GAIN There aren’t many composers who fluidly work between video games and Hollywood, but Penka Kouneva has firmly entrenched herself among […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN Joy is the last thing you might think about when considering dead animals being stuffed. Taxidermy is certainly […]
BY JEFFREY PALMER Jeffrey Palmer is CutCommon’s United States correspondent. But he is also an established countertenor, and has performed in venues across Europe, China, […]
Mee Na Lojewski sat down with CutCommon to share her account of five weeks on the road with Affinity Quartet, during an intensive tour of Italy, Austria, […]
BY STEPHANIE ESLAKE At the Sydney Opera House, there’s a series of events called Utzon Music. And its striking program is curated to bring the […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN The Lost Prince is a film for anyone who has ever been a parent or a child. The French […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN Writer, producer, or composer? James Edward Barker didn’t settle for just one of these career paths. Rather than […]
BY CHRISTOPHER LEON WITH STEPHANIE ESLAKE FOR LEVEL AND GAIN If you think of the best-loved cinematic franchises of all time, the worlds of Studio […]
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