LIVE REVIEW // Mark sees Opera Australia’s Werther
BY MARK BOSCH, LEAD CRITIC WertherOpera AustraliaSydney Opera House, 22 February At this rate, I’ll have seen 12 operas beginning with the letter W by […]
Reviews
New voices share their experiences of live and recorded music
LIVE REVIEW // Jasmine checks out the new Persephone Productions
BY JASMINE MIDDLETON Sāvitri Persephone ProductionsFringe World FestivalCheeky Sparrow, 2 February It’s festivals like Fringe World in Perth that help fuel the arts and give smaller production companies the […]
LIVE REVIEW // TSO Live Sessions in Longley
BY JO ST LEON TSO Live SessionsFeaturing musicians of the Tasmanian Symphony OrchestraLongley International Hotel, 3 February I set off for Longley, very aware as I drove that I was heading towards multiple fires and a […]
(Literally) Live Reviews // Invenio Singers
Welcome to CutCommon’s (Literally) Live Reviews – our video review series that aims to reshape the way we think about arts criticism in Australia. Lydia […]
LIVE REVIEW // Wendy sees Turandot
BY WENDY ZHANG Turandot Opera AustraliaJoan Sutherland Theatre, Sydney Opera House, 24 January Exotic stage design, stunning choreography punctuated by colours and movement, and brilliant […]
5 reasons any music lover would enjoy the James Henry Band
BY LYDIA MCCLELLAND, WINNER OF THE INAUGURAL CUTCOMMON YOUNG CRITICS’ MENTORSHIP PROGRAM James Henry – a multi-talented composer, singer-songwriter, and sound designer – recently spoke […]
The Australian Haydn Ensemble takes on the Peninsula Summer Music Festival
BY LYDIA MCCLELLAND, WINNER OF THE INAUGURAL CUTCOMMON YOUNG CRITICS’ MENTORSHIP PROGRAM Australian Haydn Ensemble and friendsPeninsula Summer Music FestivalSt John’s Church, 5-7 January (three events) Our […]
LIVE REVIEW // Lydia sees opera @ the Peninsula Summer Music Festival
BY LYDIA MCCLELLAND, WINNER OF THE INAUGURAL CUTCOMMON YOUNG CRITICS’ MENTORSHIP PROGRAM Linda Barcan and Melbourne Conservatorium of Music Opera StudentsPeninsula Summer Music Festival 12 […]
LIVE REVIEW // Mark sees Opera Australia’s Wozzeck
BY MARK BOSCH, LEAD CRITIC WozzeckOpera AustraliaSydney Opera House, 25 January Wozzeck! Pronounced “vot-zeck”, the cast’s persistent and aggressive Sprechgesang utterances of the title character’s […]
LIVE REVIEW // Mark experiences One Infinity
BY MARK BOSCH, LEAD CRITIC One InfinitySydney FestivalCarriageworks, 23 January On Wednesday evening, I return to Carriageworks’ Bay 17 to see One Infinity, a music […]