Reviews

33 thoughts I had while watching La Traviata

May 29, 2018

BY STEPHANIE ESLAKE La Traviata Opera Australia Arts Centre Melbourne, 28 April Act 1 Why is everybody saying that opera is ‘dead’? This […]

(Literally) Live Reviews // Celine goes to the QSO

May 22, 2018

Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]

Live review // Melanie attends A Well-Set Table

May 16, 2018

BY MELANIE WALTERS A Well-Set Table Nexus Arts, Adelaide, 5 May From the moment I read the line-up for Nexus Arts’ event A […]

Live review // Joe Hisaishi conducts the Melbourne Symphony Orchestra

May 12, 2018

BY STEPHANIE ESLAKE AND CHRISTOPHER LEON CutCommon is the only publication to review this premiere Joe Hisaishi performance in Australia. Joe Hisaishi Symphonic […]

(Literally) Live Reviews // Celine goes to the QSO

May 11, 2018

Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]

Album review // the in-between

May 9, 2018

BY KIERAN WELCH the in-between Sideband Collective Self-released, December 2017 The second full album from Sydney composer-performer collective Sideband, the in-between, is aptly […]

Live review // A Tasmanian Requiem

May 8, 2018

BY JOEL ROBERTS A Tasmanian Requiem Gap in the Fence Music by Helen Thomson Written by Greg Lehman, Frances Butler, and Jim Everett-puralia meenamatta […]