Still Oblique to the Pathétique
BY CAMPBELL BANKS A confession: sometimes, when I am moping along a footpath through an oncoming rush of rage-inducing text-walkers, the gaudy jackets of […]
Reviews
New voices share their experiences of live and recorded music
Live review: Eighth Blackbird
BY CHRISTOPHER WAINWRIGHT Eighth Blackbird Adelaide Festival and Musica Viva International Concert Season Adelaide Town Hall, 9 March Somehow the planets aligned, and […]
Live review: La Gaia Scienza
BY CHRISTOPHER WAINWRIGHT La Gaia Scienza Adelaide Festival Adelaide Town Hall, 8 Marcy As a young university student, I remember Barrie Kosky programming […]
Live review: Saul at the Adelaide Festival
BY CHRISTOPHER WAINWRIGHT Glyndebourne Festival Opera/Adelaide Festival Saul by Handel Adelaide Festival Theatre, 5 March Enfant-terrible Barrie Kosky with an impressive team of singers, […]
Live review: Australian Electric with Three
BY LUCY RASH Australian Electric Three Melbourne Recital Centre, 23 February ‘…a sonic experience that is introspective, intriguing, and refreshingly relevant. You should […]
CD Review: Sarah McKenzie’s Paris in the Rain
BY SAMUEL COTTELL Paris in the Rain Sarah McKenzie Impulse! Records, 2016 When Sarah McKenzie released her debut album Don’t Tempt Me in […]
Mofo #4: Experiencing music tech at the festival
BY CHRISTOPHER LEON Music technology at Mona Foma Museum of Old and New Art, Tasmania, 21 January The Glass Elevator: Chimera π As I […]
Mofo #3: Hinterlandt
BY THOMAS MISSON Hinterlandt Mona Foma Museum of Old and New Art, Tasmania, 21 January At what we affectionately call Mofo, the Museum […]
Mofo #2: Carolina Eyck on theremin
BY THOMAS MISSON Carolina Eyck Mona Foma Museum of Old and New Art, Tasmania, 20 January Many people know the theremin from the […]
Mofo #1: The Long String Instrument
BY THOMAS MISSON Ellen Fullman and Theresa Wong Mona Foma Museum of Old and New Art, Tasmania, 20 January For the past 30 […]