The Social Dilemma: A chat with composer Mark Crawford
BY HANNAH MAY WITH STEPHANIE ESLAKE Fake news. Algorithms. Manipulation of our perception of the world. Manipulation of our perception of ourselves. Confronting big issues […]
BY HANNAH MAY WITH STEPHANIE ESLAKE Fake news. Algorithms. Manipulation of our perception of the world. Manipulation of our perception of ourselves. Confronting big issues […]
BY ADAM TAN Music is supposed to be for everyone to enjoy, create, perform and share freely without prejudice. Yet the systems that are created […]
BY STEPHANIE ESLAKE As an industry, we’ve grown familiar with a situation no musician or concertgoer ever wants to face: the cancellation. In the past […]
BY STEPHANIE ESLAKE Does the classical music industry do its best to promote gender equality? It’s certainly a topic that weighs heavily on the minds […]
BY JOSEPH ASQUITH, LEAD WRITER (EDUCATION) The arts has certainly been among the hardest-hit sectors during the coronavirus pandemic. Concerts have been postponed, playhouses shut, […]
BY STEPHANIE ESLAKE Hinterlandt’s new album shares seven tales of comedy and tragedy, each named after a character that emerged from the composer’s imagination. Jochen […]
BY STEPHANIE ESLAKE A live audition can be one of the most anxiety-inducing experiences of a musician’s career. A panel of industry experts may watch […]
BY CAITLIN VINCENT, UNIVERSITY OF MELBOURNE This story was first published in The Conversation, and we think it’s important enough for you to know about. […]
BY STEPHANIE ESLAKE By now, you should have heard of the Melbourne Digital Concert Hall. After all, it’s the new COVID-19 initiative fuelling Australian musicians’ […]
BY MICHAEL SOLLIS We would like to welcome Michael in his first story as a CutCommon contributor. The onset of COVID-19 has challenged our local, […]
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