Making music for regional communities “is a responsibility of any Australian artist”
BY STEPHANIE ESLAKE Alexander Voltz is based in Brisbane — a city boasting well over 2 million inhabitants. But the composer has found new inspiration […]
BY STEPHANIE ESLAKE Alexander Voltz is based in Brisbane — a city boasting well over 2 million inhabitants. But the composer has found new inspiration […]
BY CHLOE HASSON, BLUE STOCKINGS In early 2020, I received a message request from a girl named Alison Paris. She had a vision: she wanted […]
BY JENNY ERIKSSON, THE MARAIS PROJECT FOUNDER AND ARTISTIC DIRECTOR The idea for The Marais Project’s most recent album Australian Monody was more prosaic. It […]
BY STEPHANIE ESLAKE Living in Tasmania carries with it a feeling of remoteness. We are far away from the place we call “the mainland”, yet […]
BY STEPHANIE ESLAKE A memory. I am 14 years old, and have entered into the local eisteddfod. I’ve been learning the piece for months — […]
BY JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) If you’re a string player, have you ever wondered how your instrument is made? Sure, you […]
BY STEPHANIE ESLAKE We all know what it feels like to lose a little sleep. Whether we’re excited about a big commitment, or worried we’ll […]
BY STEPHANIE ESLAKE Harpist Emily Granger knew exactly what she wanted on her debut solo album — and it’s probably not what you’d expect. The […]
BY STEPHANIE ESLAKE The entire nature of our industry has shifted. Living and working through the pandemic, Australia’s musicians have been forced to rethink their […]
BY STEPHANIE ESLAKE Kate Miller-Heidke describes The Healing Tree as “pure comfort”. The idea for this single swirled in her mind when, before the pandemic, […]
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