How Paul Stanhope’s Requiem evolved into a celebration of life
BY STEPHANIE ESLAKE A requiem is a mass for the dead. But through the music of composer Paul Stanhope, the medium may be better described […]
BY STEPHANIE ESLAKE A requiem is a mass for the dead. But through the music of composer Paul Stanhope, the medium may be better described […]
BY PAT JAFFE We would like to give a warm welcome to Pat in his first story as a CutCommon contributor. As the end of […]
BY STEPHANIE ESLAKE Hinterlandt’s new album shares seven tales of comedy and tragedy, each named after a character that emerged from the composer’s imagination. Jochen […]
BY STEPHANIE ESLAKE In the past three years, composer Alice Humphries has produced new music with fascinating artists, moved from Melbourne to make a new […]
BY CUTCOMMON We love new music. So when we heard about Erik Griswold and Vanessa Tomlinson’s new Clocked Out composition project, we wanted to talk […]
BY GABRIELLE CADENHEAD Composer-violinist Cyrus Meurant has cultivated a vast portfolio of music for dance and theatre. He has studied composition in Sydney, Paris, and […]
BY ELLA MACENS AS TOLD TO CUTCOMMON Being invited to participate in the 2018-19 TSO Australian Composers’ School was a total dream come true, especially […]
BY HOLLY HARRISON AS TOLD TO CUTCOMMON This year’s program was quite different to last year, as the week was split up into two main […]
BY MARK HOLDSWORTH AS TOLD TO CUTCOMMON Each day of the TSO Australian Composers’ School consisted of intensive rehearsals. Although the rehearsal time was generous […]
BY LEWIS INGHAM Erik Griswold’s latest release Hollows Out of Time is an album unafraid of stylistic and sonic possibilities. The intriguing combination of prepared […]
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