Musical reflections on light and darkness, love and loss
BY JENNY ERIKSSON, THE MARAIS PROJECT FOUNDER AND ARTISTIC DIRECTOR The idea for The Marais Project’s most recent album Australian Monody was more prosaic. It […]
BY JENNY ERIKSSON, THE MARAIS PROJECT FOUNDER AND ARTISTIC DIRECTOR The idea for The Marais Project’s most recent album Australian Monody was more prosaic. It […]
BY MICHAEL BAKRNČEV In 2017, Melbourne contemporary classical composer Michael Bakrnčev addressed the question, Is it worth becoming a composer in Australia? Half a decade […]
BY STEPHANIE ESLAKE You may have read our recent interview with Nicholas Vines. The Australian composer has penned a suite of 12 preludes called Indie […]
BY STEPHANIE ESLAKE Have you ever looked into your rattan-framed mirror and asked: Am I a hipster? I wonder this sometimes. I have glasses that […]
BY STEPHANIE ESLAKE Harpist Emily Granger knew exactly what she wanted on her debut solo album — and it’s probably not what you’d expect. The […]
BY STEPHANIE ESLAKE Kate Miller-Heidke describes The Healing Tree as “pure comfort”. The idea for this single swirled in her mind when, before the pandemic, […]
BY ANNE CAWRSE Anne Cawrse is an award-winning Australian composer preparing for the launch of her debut album Advice to a Girl. In this CutCommon […]
BY PAT JAFFE One year ago, Pat Jaffe wrote a blog for CutCommon on the experience of recording and releasing his debut album Eldorado. He […]
BY STEPHANIE ESLAKE When an artist is streamed more than 29 million times, it tells you something about what listeners are craving right now. And […]
BY STEPHANIE ESLAKE On 25 November, Kyla Matsuura-Miller shared a story. From the Melbourne Digital Concert Hall stage, the violinist spoke to her listeners about […]
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