Is it worth being a composer in Australia?
BY MICHAEL BAKRNČEV In 2017, Melbourne contemporary classical composer Michael Bakrnčev addressed the question, Is it worth becoming a composer in Australia? Half a decade […]
BY MICHAEL BAKRNČEV In 2017, Melbourne contemporary classical composer Michael Bakrnčev addressed the question, Is it worth becoming a composer in Australia? Half a decade […]
BY STEPHANIE ESLAKE You may have read our recent interview with Nicholas Vines. The Australian composer has penned a suite of 12 preludes called Indie […]
BY STEPHANIE ESLAKE Have you ever looked into your rattan-framed mirror and asked: Am I a hipster? I wonder this sometimes. I have glasses that […]
BY STEPHANIE ESLAKE Harpist Emily Granger knew exactly what she wanted on her debut solo album — and it’s probably not what you’d expect. The […]
BY STEPHANIE ESLAKE Kate Miller-Heidke describes The Healing Tree as “pure comfort”. The idea for this single swirled in her mind when, before the pandemic, […]
BY ANNE CAWRSE Anne Cawrse is an award-winning Australian composer preparing for the launch of her debut album Advice to a Girl. In this CutCommon […]
BY PAT JAFFE One year ago, Pat Jaffe wrote a blog for CutCommon on the experience of recording and releasing his debut album Eldorado. He […]
BY STEPHANIE ESLAKE When an artist is streamed more than 29 million times, it tells you something about what listeners are craving right now. And […]
BY STEPHANIE ESLAKE On 25 November, Kyla Matsuura-Miller shared a story. From the Melbourne Digital Concert Hall stage, the violinist spoke to her listeners about […]
BY STEPHANIE ESLAKE What is a modern composition? There’s no solid answer, and the term itself has a transient feel: things once considered modern can […]
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