How I created a new Schumann arrangement
BY SHAUNA BEESLEY In this blog, composer Shauna Beesley shares her experience of arranging Robert Schumann’s Fantasiestücke, Op.73. The Australian Romantic & Classical Orchestra (pictured […]
BY SHAUNA BEESLEY In this blog, composer Shauna Beesley shares her experience of arranging Robert Schumann’s Fantasiestücke, Op.73. The Australian Romantic & Classical Orchestra (pictured […]
BY CHANTAL NGUYEN It was the final minute of the final movement. “All or nothing, now or never!” I thought. The double stops, the breathless […]
CONTENT COURTESY SUPPORT ACT Music industry charity Support Act has today launched a 2022 COVID Emergency Appeal in response to the growing crisis within the industry as the […]
BY PAT JAFFE One year ago, Pat Jaffe wrote a blog for CutCommon on the experience of recording and releasing his debut album Eldorado. He […]
CONTENT COURTESY MUSIC INDUSTRY REVIEW The volunteer Temporary Working Group — with support from APRA AMCOS, ARIA, PPCA, Australia Council, and Support Act — have […]
BY KATHERINE (KATE) POWER, THE UNIVERSITY OF QUEENSLAND, THE CONVERSATION In the arts in Australia, precarious employment, unpaid work and short-lived careers are the norm. […]
BY STEPHANIE ESLAKE Women have long been subjected to violence in the name of entertainment. The problem is particularly rife in opera, where characters are […]
BY STEPHANIE ESLAKE On 25 November, Kyla Matsuura-Miller shared a story. From the Melbourne Digital Concert Hall stage, the violinist spoke to her listeners about […]
BY STEPHANIE ESLAKE Let’s be honest. All your 12-year-old music student really wants to play is the theme to their favourite movie. (And that movie […]
BY STEPHANIE ESLAKE What is a modern composition? There’s no solid answer, and the term itself has a transient feel: things once considered modern can […]
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