How Brenda Gifford is sharing “community, language, culture” through her newest composition
BY LILY BRYANT Have you ever considered the way spoken word plays a musical role in a classical piece? Personally, I understood the use of […]
BY LILY BRYANT Have you ever considered the way spoken word plays a musical role in a classical piece? Personally, I understood the use of […]
BY CUTCOMMON When it comes to the Australian music industry, percussionist Claire Edwardes OAM has always ventured one step ahead of the game. The artistic […]
BY STEPHANIE ESLAKE Musicians across the world are uniting in a new campaign to demand climate action. In Australia, familiar names in our classical and […]
BY STEPHANIE ESLAKE Music by female-identifying composers. A digital future for the performing arts industry. Diversity in the concert hall. Choosing not to perform Mozart. […]
BY STEPHANIE ESLAKE, EDITOR The Australian Government has announced major changes to university fee structures to build a new workforce of “job-ready graduates“. Education Minister […]
BY MARK BOSCH, LEAD CRITIC Lone HemispheresEnsemble OffspringCarriageworks, 7 November Ensemble Offspring is closing in on the end of another stimulating season of new music […]
CONTENT COURTESY FREEDMAN CLASSICAL FELLOWSHIP After a nation-wide search for Australia’s best young classical musicians aged 30 and under, the three finalists – violist Katie […]
BY MYLES OAKEY, EUROPE CORRESPONDENT Disclaimer: Opinions reflect those of the writer and not necessarily the publication. In a persuasive project pitch, the artistic director […]
BY LYLE CHAN When Glenn Dickie arrived in Rotterdam, one of the first things he needed to do was buy a new sandwich toaster. He’d […]
BY JENNY DUCK-CHONG, HALCYON This year, Halcyon celebrates its 20th birthday. In this photoblog, artistic director Jenny Duck-Chong reflects on the occasion as she shares […]
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