Is it worth becoming a composer in Australia?
BY MICHAEL BAKRNČEV Melbourne composer Michael Bakrnčev recently settled in for a candid chat with our editor Stephanie Eslake about some of the obstacles faced […]
BY MICHAEL BAKRNČEV Melbourne composer Michael Bakrnčev recently settled in for a candid chat with our editor Stephanie Eslake about some of the obstacles faced […]
BY MYLES OAKEY, 2016 CUTCOMMON YOUNG WRITER OF THE YEAR Our bodies are carriers of culture. As we stand in front of culture, we […]
BY STEPHANIE ESLAKE This year, four leading young composers took part in the Symphony Australia/Tasmanian Symphony Orchestra Composers’ School. Undergoing an intense week of […]
BY CHRISTOPHER LEON Documentary scoring requires a unique approach. With a limited number of ‘characters’ and tailored narratives compared to film scoring, the music […]
BY NICHOLAS MARKS Melbourne composer Nicholas Marks studied at Monash and has had his film scores appear at Tropfest, the Kah Bang International Film Festival, […]
BY SCOTT MCINTYRE As I start work on my Piano Sonata No.4, I pause and think about the creation of these works and the […]
BY CHRISTOPHER LEON What do Nicolas Cage, Kylie Minogue, and Beethoven have in common? Reza Safinia, that’s what. The London-raised, Los Angeles-based composer recently […]
BY LISA CHENEY Lisa Cheney recently took part in This Will Be Our Reply – an International Women’s Day concert of new music by female […]
BY STEPHANIE ESLAKE When Melbourne trumpet player Louisa Trewartha was growing up, there were some films she couldn’t get enough of. The Wizard of […]
BY STEPHANIE ESLAKE Ever wondered how to compose for television? Downton Abbey‘s John Lunn has some solid advice to share. John was about 20 years […]
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