How the Australian Brandenburg Orchestra has become a digital leader
BY STEPHANIE ESLAKE The pandemic has shifted the Australian arts industry into unrecognisable territory. It’s been tough, but we’ve learnt a key lesson throughout the […]
BY STEPHANIE ESLAKE The pandemic has shifted the Australian arts industry into unrecognisable territory. It’s been tough, but we’ve learnt a key lesson throughout the […]
BY RACHEL BRUERVILLE, OPINIONS EDITOR To MusicBethany Hill (soprano), Penelope Cashman (piano)UKARIA Cultural Centre, 25 September Dear art…when I was caught up in life’s wild […]
BY STEPHANIE ESLAKE The last time the Sydney Eisteddfod cancelled its festival was during World War II. Now, in the face of a global pandemic, […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY STEPHANIE ESLAKE Since the pandemic first hit our industry, the Melbourne Digital Concert Hall has offered something of a safe-haven to arts practitioners in […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY STEPHANIE ESLAKE When violinist Sarah Curro was tasked with arranging a program worthy of a national audience — to perform with some of the […]
BY CAITLIN VINCENT, UNIVERSITY OF MELBOURNE This story was first published in The Conversation, and we think it’s important enough for you to know about. […]
BY STEPHANIE ESLAKE The Melbourne Digital Concert Hall takes its name from the medium. It live streams performances of Australian classical musicians, so you can […]
BY STEPHANIE ESLAKE Composition is often described as a solitary activity. And although it’s a process that can indeed be undertaken in isolation, things get […]
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