CONTENT COURTESY FREEDMAN CLASSICAL FELLOWSHIP Three exceptional finalists have been selected to compete for The Music Trust’s 2022 Freedman Classical Fellowship, after an extensive search […]
BY STEPHANIE ESLAKE Imagine you’re performing a piece of music. Now imagine you’re playing it on a radio station that reaches hundreds of thousands of […]
BY EMMA SULLIVAN As the principal bassist of Melbourne Chamber Orchestra, I am usually found at the back of the ensemble, providing the foundation to […]
BY MIRANDA ILCHEF, LEAD WRITER If there’s one thing that unites us more than the universal language of music, it’s our universal love of storytelling. […]
BY CHRISTOPHER LEON WITH LEVEL AND GAIN You may not have heard of Kyle Dixon and Michael Stein, but you would undoubtedly know their music. The […]
BY STEPHANIE ESLAKE What do you need to know about vocal music? The answer to this question depends on your approach. Are you a composer […]
BY STEPHANIE ESLAKE Whether you’re a composer, performer, arts administrator, or even music journalist, it’s likely you’ve had an enriching experience with the Australian Youth […]
BY JOSEPH ASQUITH, LEAD WRITER (UK) The New Music Biennial is an initiative by the PRS foundation. It aims to provide a platform for music […]
BY LILY BRYANT A warm bath. An evening walk. A home-cooked meal. Calmness and comfort and safety. The word “sanctuary” conjures up any number of […]
BY CUTCOMMON In 2017, Michael Bakrnčev wrote a piece of music as a gift for his wife Emily, which was performed on their wedding day. […]
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