Making music for regional communities “is a responsibility of any Australian artist”
BY STEPHANIE ESLAKE Alexander Voltz is based in Brisbane — a city boasting well over 2 million inhabitants. But the composer has found new inspiration […]
BY STEPHANIE ESLAKE Alexander Voltz is based in Brisbane — a city boasting well over 2 million inhabitants. But the composer has found new inspiration […]
BY CHLOE HASSON, BLUE STOCKINGS In early 2020, I received a message request from a girl named Alison Paris. She had a vision: she wanted […]
BY JENNY ERIKSSON, THE MARAIS PROJECT FOUNDER AND ARTISTIC DIRECTOR The idea for The Marais Project’s most recent album Australian Monody was more prosaic. It […]
BY STEPHANIE ESLAKE Living in Tasmania carries with it a feeling of remoteness. We are far away from the place we call “the mainland”, yet […]
BY STEPHANIE ESLAKE Something doesn’t feel right. Your heartbeat quickens, and your muscles tense. You raise your hands in front of your eyes, peaking through […]
BY STEPHANIE ESLAKE A memory. I am 14 years old, and have entered into the local eisteddfod. I’ve been learning the piece for months — […]
BY MICHAEL BAKRNČEV In 2017, Melbourne contemporary classical composer Michael Bakrnčev addressed the question, Is it worth becoming a composer in Australia? Half a decade […]
BY JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) If you’re a string player, have you ever wondered how your instrument is made? Sure, you […]
BY STEPHANIE ESLAKE We all know what it feels like to lose a little sleep. Whether we’re excited about a big commitment, or worried we’ll […]
BY STEPHANIE ESLAKE You may have read our recent interview with Nicholas Vines. The Australian composer has penned a suite of 12 preludes called Indie […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.