This online music education conference is “one of the best initiatives” in decades
BY STEPHANIE ESLAKE There is always time for chamber music — even in the most exceptional of circumstances (see: global pandemic). Despite the changing industry […]
BY STEPHANIE ESLAKE There is always time for chamber music — even in the most exceptional of circumstances (see: global pandemic). Despite the changing industry […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY STEPHANIE ESLAKE Karin Schaupp hasn’t performed for a while. The classical guitarist has been forced to abandon her 2020 plans. This has meant bidding […]
BY STEPHANIE ESLAKE The last time the Sydney Eisteddfod cancelled its festival was during World War II. Now, in the face of a global pandemic, […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY STEPHANIE ESLAKE When violinist Sarah Curro was tasked with arranging a program worthy of a national audience — to perform with some of the […]
BY CUTCOMMON The musicians of the Melbourne Chamber Orchestra have already taken you home with them, thanks to double bassist Emma Sullivan who launched an […]
BY STEPHANIE ESLAKE Since COVID-19 was declared a pandemic, the entire nature of our industry has shifted — seemingly overnight — with artists forced to […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
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