Composing under lockdown: Audrey Ormella
BY STEPHANIE ESLAKE Composition is often described as a solitary activity. And although it’s a process that can indeed be undertaken in isolation, things get […]
BY STEPHANIE ESLAKE Composition is often described as a solitary activity. And although it’s a process that can indeed be undertaken in isolation, things get […]
BY STEPHANIE ESLAKE Composition is often described as a solitary activity. And although it’s a process that can indeed be undertaken in isolation, things get […]
BY CATHERINE LIKHUTA AND STEPHANIE ESLAKE One evening in 2006, Catherine Likhuta read Ukrainian author Nikolai Gogol’s short story Diary of a Madman. Born […]
BY STEPHANIE ESLAKE What composition throughout history do you feel has represented women wildly, absurdly, accurately, or powerfully? We pose the question to two […]
BY THOMAS MISSON Donald Trump’s thoughts on women have attracted all manner of satire in the media – be it on TV, YouTube, or […]
BY STEPHANIE ESLAKE Brisbane audio-visual artist Sam Poggioli (Sampology) grew up surrounded by modern sounds. His brother had turntables and their older cousins ran […]
BY STEPHANIE ESLAKE They drank wine. They travelled to Puerto Galera. They wrote some stuff. Now they’re back, and you can hear the culmination […]
BY STEPHANIE ESLAKE The Queensland Symphony Orchestra today announces the QSOCurrent festival – and we’re super excited. Moving away from tradition and convention, the […]
BY ANDREW MESSENGER ‘Thum Prints: a concerto contradiction for beatbox and orchestra’ by Gordon Hamilton, world premiere Queensland Symphony Orchestra and Tom Thum Powerhouse, Newfarm, 16 […]
BY ANDREW MESSENGER The Australian Voices are a very distinctive a’capella choir. You know them when you hear them. Gordon Hamilton has been their […]
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