Alicia Crossley’s new album offers “escapism from the grinds of daily life”
BY STEPHANIE ESLAKE During a pandemic, the word “escapism” sounds particularly sweet, doesn’t it? This is how Alicia Crossley describes her newest album Bass Instincts. […]
BY STEPHANIE ESLAKE During a pandemic, the word “escapism” sounds particularly sweet, doesn’t it? This is how Alicia Crossley describes her newest album Bass Instincts. […]
BY STEPHANIE ESLAKE “How do you make your music stand out from the crowd?” It’s a question on the mind of Australian composer Matthew Hindson. […]
BY ELLA MACENS AS TOLD TO CUTCOMMON Being invited to participate in the 2018-19 TSO Australian Composers’ School was a total dream come true, especially […]
BY HOLLY HARRISON AS TOLD TO CUTCOMMON This year’s program was quite different to last year, as the week was split up into two main […]
BY MARK HOLDSWORTH AS TOLD TO CUTCOMMON Each day of the TSO Australian Composers’ School consisted of intensive rehearsals. Although the rehearsal time was generous […]
BY CHANTAL NGUYEN We would like to welcome Chantal Nguyen in her first story as a CutCommon contributor! I’m old school friends with Holly Harrison, […]
BY CYRUS MEURANT AS TOLD TO CUTCOMMON Cyrus’ composition Concertino for Clarinet and String Quartet will be performed by the Omega Ensemble at the National […]
BY MARK BOSCH Spectral Tech Ensemble Offspring premiering works by Alex Pozniak, Holly Harrison, and Tristan Coelho Sydney Conservatorium of Music, 29 September […]
BY HOLLY HARRISON AS TOLD TO STEPHANIE ESLAKE This month, we introduce you to the three Australian composers developing new works with Ensemble Offspring […]
BY ALEX POZNIAK AS TOLD TO STEPHANIE ESLAKE This month, we introduce you to the three Australian composers developing new works with Ensemble Offspring […]
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