Game and anime music: not as niche as you’d think
BY STEPHANIE ESLAKE VIA LEVEL AND GAIN Think screen music is niche? Perhaps something reserved for new audiences, or performed for die-hard gamers or anime […]
BY STEPHANIE ESLAKE VIA LEVEL AND GAIN Think screen music is niche? Perhaps something reserved for new audiences, or performed for die-hard gamers or anime […]
BY LIAM HEITMANN-RYCE It was on an aeroplane in June, 2010 that I first heard the music of Antony Partos. I was 13, flying from […]
BY STEPHANIE ESLAKE VIA LEVEL AND GAIN Little Birds is dripping with the sensuality and splendour of decades past. The series, set in 1950s Tangier, […]
BY STEPHANIE ESLAKE VIA LEVEL AND GAIN “How do you swear in sign language?” “Did you drink metho?” “Were you raised as a boy or […]
BY MARK BOSCH, LEAD CRITIC The power of “We” is one belief getting Norwegian composer Rebekka Karijord through the pandemic. Rebekka has with Jon Ekstrand […]
BY CHRISTOPHER LEON FOR LEVEL AND GAIN Through Schoenberg, Herrmann, and a touch of the surreal, composers Mikolai Stroinski (The Witcher 3: Wild Hunt) and Garry […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN Have you ever watched a movie and noticed you’ve started breathing just a little bit faster? You feel […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN Unorthodox is one of the boldest character tales in recent Netflix history. Inspired by Deborah Feldman’s 2012 autobiography, […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN As composer of the hit TV series The Killing, Frans Bak is considered a pioneer of “Nordic noir”. […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.