“To be a Hollywood composer, you need to be a powerful entrepreneur”
BY ANGELO VALDIVIA FOR LEVEL AND GAIN There aren’t many composers who fluidly work between video games and Hollywood, but Penka Kouneva has firmly entrenched herself among […]
BY ANGELO VALDIVIA FOR LEVEL AND GAIN There aren’t many composers who fluidly work between video games and Hollywood, but Penka Kouneva has firmly entrenched herself among […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN Joy is the last thing you might think about when considering dead animals being stuffed. Taxidermy is certainly […]
BY CHRISTOPHER LEON FOR LEVEL AND GAIN How do you compose a game in which the main character has only one word (“honk!”), and there […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN Jason Graves says his name is synonymous with scary music. And with a list of credits to this […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN For Alex Baranowski, The Windermere Children wasn’t an ordinary scoring project. Though the BBC/Wall to Wall production may have presented […]
BY CHRISTOPHER LEON WITH LEVEL AND GAIN You may not have heard of Kyle Dixon and Michael Stein, but you would undoubtedly know their music. […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN Writer, producer, or composer? James Edward Barker didn’t settle for just one of these career paths. Rather than […]
BY CHRISTOPHER LEON FOR LEVEL AND GAIN Mobile gaming is a hot sector of the video games market, accounting for 45 per cent of all video games […]
BY ANGELO VALDIVIA FOR LEVEL AND GAIN In early October, I attended High Score: Composition for Sound Art and Gaming, as part of the Melbourne International […]
BY CHRISTOPHER LEON FOR LEVEL AND GAIN Tom Salta is an experienced video game composer with the ability to jump between starkly different game and […]
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