Hubris, hypocrisy, and Mahler’s Fifth: How Tár makes classical music cool
BY LIAM HEITMANN-RYCE-LEMERCIER “You cannot start without me.” So asserts the eponymous Lydia Tár in the opening scene of Todd Fields’ austere psychological drama set […]
BY LIAM HEITMANN-RYCE-LEMERCIER “You cannot start without me.” So asserts the eponymous Lydia Tár in the opening scene of Todd Fields’ austere psychological drama set […]
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